She writes portraits
Or rather
she has found someone
who writes them for her
She considers herself a compiler of assets
Her collaborator could be
compared to an archivist
Someone who analyses content
It was no easy task to find someone
suitable
for the extent of her documentation
Sometimes she asks herself,
why recompose something so compostable
as the memory of someone?
When you miss someone,
what is it, you miss about them?
An image, a picture?
Where in your presence do they reside
when you forget about them?
The way they look at you when they ask;
should I get you a coffee?
Their voice on the other line,
breaking up through a weak connection,
telling you they are on their way,
and the way they smell
when they come pick you up from your work
Waiting outside,
the way they look
at the people passing by
and the passers by
gaze on them
How they speak
to someone over the counter
You lock eyes,
for the first time
How did they feel the first time you touched?
The way they get dressed,
asking for your opinion,
what color suits them the best?
The way they undress
How they fold their clothes
after they’ve been washed
Open the fridge, open a window,
ask for a lighter, gaze at something odd,
in the periphery of your shared frame
Is it the way they touch you
when they try to reach you,
reach through you,
that stays
when everything else has departed?
At 14:22
I make myself tea
from some of the leaves
I’ve managed to keep dry
between the pages of a book
I wrap a blanket
around my legs
and I sit down
in my ergonomically friendly chair
to write
Little did I know
that turning the shape of my torso
into the letter “S''
would have such an impact
At the present moment
I’m a firm believer
of keeping a position
where your head is straight,
your eyes are focused,
and your jaw is relaxed
You know
whenever my jaw is clenched
I’m reminded
I’m trying too hard,
including being too forceful
with these routines
That can really make me feel
like an extra
in my own life
Sometimes I just feel
secondary to the plot
That I’m the kind of person
who resides in the peripheries
of any bystander’s
attention span
Actors,
they’re not there
to merely mimic
natural expression
and plausible scenarios
they act to create tension,
to tie a thin rope down your throat,
and gently pull up your intestines
one by one to lay them out
on display for you
But recently
I’ve come to learn
that I am necessary
to a greater plot
At 14:30
I start my writing session,
just like a pianist
who dexterously spends hours
warming up her fingers
through repeating scales
and memorizing the work
of other composers,
computing apprehension to detail
I’ve learned that
14.30 is the exact time
when I’m well able
to veer into my own work
In my writings
I like to revisit places
and situations
In the past year
these places have become more
tantalizing
They’ve been coated
with a pungent flavor
hard to really place my finger on
I know
that the voice
speaking to me
is leading me through
imaginary landscapes
for a purpose
that is not mine
The memories aren’t mine
but I lend her stories
from my life
There is not much conversation
between us,
it’s an intuitive act
and therefore it’s crucial
that I start at the exact same hour
every day,
one that I’ve come to know
as a playful and light hour
I’m unsure whether her place
really exists on this earth,
but it feels very familiar
She feels familiar
It feels too easy to say
that I feel like we know each other
“from a past life”
but I say it anyway
I find comfort
in documenting her version
of a life
One day she tells me;
One of the strangest part-time jobs I ever had was surveilling an art installation in a blue-chip gallery in the western parts of the city. I would arrive there at 10.45 and get dressed in my full black suit. The gallerist was obsessed with lookalikes and I’d been hired because I looked just like someone else. She wouldn’t tell me who. It was ridiculous. She’d just unfavorably look over at me whenever I’d arrive. “Get dressed darling”, she’d say and I’d slide into the straitjacket of the day.
You can always tell when affirmative language has been hijacked. It’s like the vowels have gotten drunk in some outcast place of the city, and then crawled back to the bright light, asking for permission to never go stray again. That’s how you become robotic. You ask for permission to never fuck up again. In order to receive that permission you need to sacrifice. I’m not sure what was with this woman but she paid my bills and she enjoyed dressing me up like her little mannequin. She never asked any personal questions, took absolutely no interest in me as a person, and smiled mechanically whenever I answered a question of hers with more than a syllable. For three months I guarded an installation in her gallery. It wasn’t like I was her gallerina, or assistant of any kind, I was profoundly remote from any kind of intellectual property the gallery solicited. I was just there, in the white cube corner locale with its wide windows exposed to the side-street of the fanciest high-street there possibly was, at least in my bank of knowledge.
For a solid 8 hours I would walk around the art installation in the middle of the space. It was a mini-version of the gallery, with glass windows and with a plush-sculpture of another janitor overseeing the space. The plush-janitor had been squeezed into the same uniform I’d been made to wear but wore a bunny head and angel-wings. So much for the lookalike. In hindsight I find my own role in the piece ultimately perturbing. But at that time I just didn’t care. When you’re part of a crew - I mean whatever that means to you - like you know your place – wherever that is for you – all other places just come off as obsolete. Like being in love. Your sight gets smudged for better or worse.
People would enter and I would greet them, tell them some words about the exhibition, and ask them to step into the simulation once they felt ready. Within the cube they received some VR-helmets that kept them occupied for approximately 40 minutes. During that time I would just stand at some place in the gallery, often with my hands interlaced, lightly resting on my sacrum bone, looking at the people walking by on the outside.
The things she told me
were so terrifying
I could only take her in
for a short moment a day
So I decided for
what you may consider
a pedantic structure
one without considered sensitivity,
but may I remind you,
after six rounds of 25 minutes of
interval writing
my fingers are nearly frozen
When I round off my writing sessions
I’m usually exhausted
and I make myself a warm meal
I eat in silence
and if the electricity has been on
for enough time to let me charge my phone,
I call someone,
a family member or a friend
These days
they are all in remote places
If I’m feeling social,
as in chatty,
or a bit needy,
I visit my neighbor
who lives down the street
near the abandoned antique shop
there are not many of us left
on this formerly busy street
most shops relocated
when the electricity broke
what must have been
10 months ago
I had warned her before
they could turn visitors like myself
into prisoners
they could give her a role
in their horror fiction
they could turn her into
a mere piece of furniture
in their living room
they were not on the outside,
trying to break in
instead they proliferated by cultivating
a seductive habitat
for their services
Inviting us to join them
All of their fixation on feedback,
I’d tell her,
is just a false negotiation of space
you just have to keep moving,
beating out a path with your own hands
She liked being my material
to help construct my
breathing organism;
a different system
<3 - 2023-12-29 13:36:28 - <3<333333
adolphus50@moneysquad.org - 2022-10-06 00:56:37 -
- 2022-10-06 00:56:37 -
adolphus50@moneysquad.org - 2022-10-06 00:56:35 -
joan14 - 2022-10-06 00:56:35 -
Developer - 2022-10-06 00:56:33 -
Developer - 2022-10-06 00:56:25 -
shannon_boyer@moneysquad.org - 2022-10-06 00:56:09 -
- 2022-10-06 00:56:08 -
shannon_boyer@moneysquad.org - 2022-10-06 00:56:06 -
joan14 - 2022-10-06 00:56:05 -
shannon_boyer@moneysquad.org - 2022-10-06 00:56:03 -
joan14 - 2022-10-06 00:55:57 -
118 Yundt Burg - 2022-10-06 00:51:14 -
- 2022-10-06 00:51:14 -
118 Yundt Burg - 2022-10-06 00:51:13 -
Suite 574 - 2022-10-06 00:51:12 -
118 Yundt Burg - 2022-10-06 00:51:11 -
Suite 574 - 2022-10-06 00:51:03 -
lonnie46 - 2022-10-06 00:50:45 -
- 2022-10-06 00:50:44 -
lonnie46 - 2022-10-06 00:50:43 -
nico.franecki@bdcimail.com - 2022-10-06 00:50:42 -
nico.franecki@bdcimail.com - 2022-10-06 00:50:40 -
lonnie46 - 2022-10-06 00:50:38 -
lonnie46 - 2022-10-06 00:50:21 -
- 2022-10-06 00:50:19 -
lonnie46 - 2022-10-06 00:50:17 -
baylee_harris@bdcimail.com - 2022-10-06 00:50:15 -
baylee_harris@bdcimail.com - 2022-10-06 00:50:13 -
lonnie46 - 2022-10-06 00:50:08 -
E - 2022-04-11 00:22:06 - so beautiful
- 2022-04-11 00:21:49 -
- 2022-04-11 00:20:38 -
*_* - 2022-03-31 12:01:05 - I love it!!